{"id":285903,"date":"2018-05-07T04:04:42","date_gmt":"2018-05-07T11:04:42","guid":{"rendered":"https:\/\/disabilityvisibilityproject.com\/?p=285903"},"modified":"2026-02-12T17:21:07","modified_gmt":"2026-02-13T01:21:07","slug":"5-19-criplit-twitter-chat-new-fiction","status":"publish","type":"post","link":"https:\/\/disabilityvisibilityproject.com\/2018\/05\/07\/5-19-criplit-twitter-chat-new-fiction\/","title":{"rendered":"5\/19 #CripLit Twitter Chat: New Fiction"},"content":{"rendered":"<figure id=\"attachment_285906\" aria-describedby=\"caption-attachment-285906\" style=\"width: 440px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"285906\" data-permalink=\"https:\/\/disabilityvisibilityproject.com\/2018\/05\/07\/5-19-criplit-twitter-chat-new-fiction\/criplit-519-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/disabilityvisibilityproject.com\/wp-content\/uploads\/2018\/05\/CripLit-52F19-1.png?fit=440%2C220&amp;ssl=1\" data-orig-size=\"440,220\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"#CripLit 519 (1)\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Graphic with a yellow background and text in black that reads \u201c#CripLit TwitterChat New Fiction, May 19, 2018, 7 pm Eastern\/ 4 pm Pacific, Featuring @nicolaz &amp;#038; @Anne_Finger.\u201d On the left is an illustration of a stack of books and on the right is an illustration of an ink pen. Both illustrations in black.&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/disabilityvisibilityproject.com\/wp-content\/uploads\/2018\/05\/CripLit-52F19-1.png?fit=440%2C220&amp;ssl=1\" class=\"wp-image-285906 size-full\" src=\"https:\/\/i0.wp.com\/disabilityvisibilityproject.com\/wp-content\/uploads\/2018\/05\/CripLit-52F19-1.png?resize=440%2C220&#038;ssl=1\" alt=\"graphic with a yellow background and text in black that reads \u201c#CripLit TwitterChat New Fiction, May 19, 2018, 7 pm Eastern\/ 4 pm Pacific, Featuring @nicolaz &amp; @Anne_Finger.\u201d On the left is an illustration of a stack of books and on the right is an illustration of an ink pen. Both illustrations in black.\" width=\"440\" height=\"220\" srcset=\"https:\/\/i0.wp.com\/disabilityvisibilityproject.com\/wp-content\/uploads\/2018\/05\/CripLit-52F19-1.png?w=440&amp;ssl=1 440w, https:\/\/i0.wp.com\/disabilityvisibilityproject.com\/wp-content\/uploads\/2018\/05\/CripLit-52F19-1.png?resize=300%2C150&amp;ssl=1 300w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><figcaption id=\"caption-attachment-285906\" class=\"wp-caption-text\">Graphic with a yellow background and text in black that reads \u201c#CripLit TwitterChat New Fiction, May 19, 2018, 7 pm Eastern\/ 4 pm Pacific, Featuring @nicolaz &amp; @Anne_Finger.\u201d On the left is an illustration of a stack of books and on the right is an illustration of an ink pen. Both illustrations in black.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">You are invited to the eleventh #CripLit chat co-hosted by novelist Nicola Griffith and Alice Wong of the Disability Visibility Project\u00ae. For this Twitter chat we are delighted to be joined by Anne Finger. Nicola and Anne will talk about their new novels\u2014both just published on Tuesday, May 15\u2014which feature disabled protagonists. They will answer the guideline questions below, but may also ask each other questions, too. What we really hope is that you will ask Anne and Nicola plenty of questions, and perhaps add your own answers to some of the questions here. We want a good conversation about excellent fiction featuring disabled characters!<\/span><\/p>\n<h3>About<\/h3>\n<p><strong><a href=\"https:\/\/www.facebook.com\/anne.finger1\">Anne Finger<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Anne Finger is an activist and writer who has long been prominent in the U.S. disability movement. The author of four volumes of fiction and two memoirs, she has served as president of the Society for Disability Studies, the president of Axis Dance Company, and written for <\/span><i><span style=\"font-weight: 400;\">Disability Studies Quarterly<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Finger&#8217;s first book, the 1988 story collection <\/span><i><span style=\"font-weight: 400;\">Basic Skills<\/span><\/i><span style=\"font-weight: 400;\">, contains several disability-themed works, two of them drawing on her childhood experiences of polio. Her 1990 memoir <\/span><i><span style=\"font-weight: 400;\">Past Due: A Story of Disability, Pregnancy, and Birth<\/span><\/i><span style=\"font-weight: 400;\">, integrates accounts of her early life, her social activism, and her experiences at the hands of the medical profession. Her 1994 novel <\/span><i><span style=\"font-weight: 400;\">Bone Truth<\/span><\/i><span style=\"font-weight: 400;\"> tells a story of a woman considering motherhood and struggling to frame a narrative explaining her own life and her difficult parents. With 2006&#8217;s <\/span><i><span style=\"font-weight: 400;\">Elegy for a Disease: A Personal and Cultural History of Polio<\/span><\/i><span style=\"font-weight: 400;\">, Finger produced an anti-individualist memoir, one that integrates her own experiences and feelings into a wealth of social and historical contexts. The stories collected in her 2009 <\/span><i><span style=\"font-weight: 400;\">Call Me Ahab <\/span><\/i><span style=\"font-weight: 400;\">aspire to reveal the breadth of disability culture. Her new novel is <\/span><i><span style=\"font-weight: 400;\">A Woman, In Bed<\/span><\/i><span style=\"font-weight: 400;\">. (<\/span><a href=\"https:\/\/www.cincopuntos.com\/\"><span style=\"font-weight: 400;\">Cinco Puntas Press<\/span><\/a><span style=\"font-weight: 400;\">, 2018)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">(Bio adapted from<\/span><a href=\"http:\/\/www.wordgathering.com\/past_issues\/issue26\/interviews\/finger.html\"> <span style=\"font-weight: 400;\">Josh Lukin&#8217;s introduction<\/span><\/a><span style=\"font-weight: 400;\"> to his interview with Anne Finger in <\/span><i><span style=\"font-weight: 400;\">Wordgathering<\/span><\/i><span style=\"font-weight: 400;\">.)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/nicolagriffith.com\/\">Nicola Griffith<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Nicola Griffith is a native of Yorkshire, England, where she earned her beer money teaching women\u2019s self-defense, fronting a band, and arm-wrestling in bars, before discovering writing and moving to the US.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After her 1993 diagnosis of multiple sclerosis she focused on writing. Her novels are <\/span><a href=\"https:\/\/nicolagriffith.com\/2014\/02\/24\/ammonite\/\"><i><span style=\"font-weight: 400;\">Ammonite<\/span><\/i><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/nicolagriffith.com\/2014\/02\/24\/slow-river\/\"><i><span style=\"font-weight: 400;\">Slow River<\/span><\/i><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/nicolagriffith.com\/2014\/02\/27\/the-blue-place\/\"><i><span style=\"font-weight: 400;\">The Blue Place<\/span><\/i><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/nicolagriffith.com\/2014\/02\/27\/stay\/\"><i><span style=\"font-weight: 400;\">Stay<\/span><\/i><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/nicolagriffith.com\/2014\/02\/27\/always\/\"><i><span style=\"font-weight: 400;\">Always<\/span><\/i><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/nicolagriffith.com\/2014\/02\/24\/hild\/\"><i><span style=\"font-weight: 400;\">Hild<\/span><\/i><\/a><span style=\"font-weight: 400;\">, and her new one, <\/span><i><span style=\"font-weight: 400;\">So Lucky<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><a href=\"https:\/\/www.fsgoriginals.com\/books\"><span style=\"font-weight: 400;\">MCD x FSG Originals<\/span><\/a><span style=\"font-weight: 400;\">, 2018). She is the co-editor of the BENDING THE LANDSCAPE series of original queer fiction. Her essays and short fiction have appeared in a variety of journals, including <\/span><i><span style=\"font-weight: 400;\">Nature<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">New Scientist, Los Angeles Review of Books<\/span><\/i><span style=\"font-weight: 400;\">, and <\/span><i><span style=\"font-weight: 400;\">LitHub<\/span><\/i><span style=\"font-weight: 400;\">. Her work has won, among others, the Washington State Book Award, the Tiptree, Nebula, and World Fantasy Awards, the Premio Italia, and Lambda Literary Award (six times), and is translated into 13 languages.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">She has served as a Trustee of the Multiple Sclerosis Association and the Lambda Literary Foundation, is a contributing editor at the <\/span><i><span style=\"font-weight: 400;\">Los Angeles Review of Books<\/span><\/i><span style=\"font-weight: 400;\">, and is a member of the Advisory Board for the <\/span><i><span style=\"font-weight: 400;\">Journal of Historical Fictions<\/span><\/i><span style=\"font-weight: 400;\">, and the SF Gateway. She is now a dual US\/UK citizen, holds a PhD from Anglia Ruskin University, and lives in Seattle with her wife, the writer Kelley Eskridge.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">(Bio adapted from<\/span><a href=\"https:\/\/nicolagriffith.com\/2014\/02\/24\/about\/\"> <span style=\"font-weight: 400;\">Nicola Griffith&#8217;s website<\/span><\/a><span style=\"font-weight: 400;\">.)<\/span><\/p>\n<h3><b>Additional Links<\/b><\/h3>\n<p><a href=\"http:\/\/wordgathering.com\/issue45\/reviews\/finger.html\"><span style=\"font-weight: 400;\">Book Review: A Woman in Bed<\/span><\/a><span style=\"font-weight: 400;\">, by Michael Northern, Wordgathering, March 2018.<\/span><\/p>\n<p><a href=\"https:\/\/www.kirkusreviews.com\/book-reviews\/anne-finger\/a-woman-in-bed\/\"><span style=\"font-weight: 400;\">Book Review: A Woman in Bed<\/span><\/a><span style=\"font-weight: 400;\">, Kirkus, Jan 3, 2018.<\/span><\/p>\n<p><a href=\"https:\/\/nicolagriffith.com\/2018\/04\/02\/how-ableism-affects-a-book-review\/\"><span style=\"font-weight: 400;\">How Ableism Affects a Book Review<\/span><\/a><span style=\"font-weight: 400;\">, by Nicola Griffith, nicolagriffith.com, April 2, 2018<\/span><\/p>\n<p><a href=\"https:\/\/feministwritersfestival.com\/carly-findlay-say-hello-disability-activism\/\"><span style=\"font-weight: 400;\">Saying Hello: Doing Disability My Way<\/span><\/a><span style=\"font-weight: 400;\">, by Carly Findlay, Feminist Writers Festival, April 24, 2018<\/span><\/p>\n<p><a href=\"https:\/\/www.tor.com\/2017\/07\/31\/i-built-my-own-goddmn-castle\/\"><span style=\"font-weight: 400;\">I Built My Own Godd*mn Castle<\/span><\/a><span style=\"font-weight: 400;\">, by <\/span><span style=\"font-weight: 400;\">Elsa Sjunneson-Henry, Tor.com, July 31, 2017.<\/span><\/p>\n<p><a href=\"https:\/\/medium.com\/@kennyfries\/the-fries-test-on-disability-representation-in-our-culture-9d1bad72cc00\"><span style=\"font-weight: 400;\">The Fries Test: On Disability Representation in Our Culture<\/span><\/a><span style=\"font-weight: 400;\">, by Kenny Fries, Medium, November 1, 2017.<\/span><\/p>\n<h3><b>How to Participate<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Follow<\/span><a href=\"https:\/\/twitter.com\/DisVisibility\"> <span style=\"font-weight: 400;\">@DisVisibility<\/span><\/a><span style=\"font-weight: 400;\"> and<\/span><a href=\"https:\/\/twitter.com\/nicolaz\"> <span style=\"font-weight: 400;\">@nicolaz<\/span><\/a><span style=\"font-weight: 400;\"> on Twitter for updates.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When it\u2019s time, search<\/span><a href=\"https:\/\/twitter.com\/hashtag\/criplit?f=tweets&amp;vertical=default&amp;src=hash\"> <span style=\"font-weight: 400;\">#CripLit<\/span><\/a><span style=\"font-weight: 400;\"> on Twitter for the series of live tweets under the \u2018Latest\u2019 tab for the full conversation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you might be overwhelmed by the volume of tweets and only want to see the chat\u2019s questions so you can respond to them, check @DisVisibility\u2019s account. Each question will tweeted 6-8 minutes apart.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Check out this explanation of how to participate in a twitter chat by Ruti Regan:<\/span><a href=\"https:\/\/storify.com\/RutiRegan\/examplechat\"><span style=\"font-weight: 400;\"> https:\/\/storify.com\/RutiRegan\/examplechat<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Check out this captioned #ASL explanation of how to participate in a chat by<\/span><a href=\"https:\/\/twitter.com\/behearddc\"> <span style=\"font-weight: 400;\">@behearddc<\/span><\/a><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/HEARDDC\/videos\/1181213075257528\/\"><span style=\"font-weight: 400;\">https:\/\/www.facebook.com\/HEARDDC\/videos\/1181213075257528\/<\/span><\/a><\/p>\n<h3><b>Introductory Tweets and Questions for 5\/19 Chat<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Welcome to the #CripLit chat on New Fiction with Disabled Protagonists. This chat is co-hosted by @nicolaz &amp; @disvisibility with guest host @Anne_Finger. Please remember to use the #CripLit hashtag when you tweet.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you respond to a question such as Q1, your tweet should follow this format: \u201cA1 [your message] #CripLit\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Q1 Please introduce yourselves and share your journey to becoming a writer. Why do you write? #CripLit<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Q2 Tell us about your new works\u2014would you label them disability fiction? Why\/why not? And what did you hope to achieve? #CripLit \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Q3 What were the joys\/challenges (physical, emotional, mental\/intellectual) of writing a novel with a disabled protagonist? #CripLit<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Q4 Before the books were published, did you worry about how they would be received? What worried you? Did anything help? #CripLit<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Q5 The books are published. How have they been received? And how do you feel about that? #CripLit <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Fries Test is a test for disability representation in fiction proposed by activist and writer Kenny Fries. To pass the Fries Test, a book-length work must have two or more disabled characters. For more: <a href=\"https:\/\/medium.com\/@kennyfries\/the-fries-test-on-disability-representation-in-our-culture-9d1bad72cc00\" rel=\"nofollow\">https:\/\/medium.com\/@kennyfries\/the-fries-test-on-disability-representation-in-our-culture-9d1bad72cc00<\/a> #CripLit \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Fries Test: Those characters must have their own narrative purpose other than the education or profit of a nondisabled character. Their disability must not be eradicated by death or a cure. #CripLit<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Last year Nicola put out a call on social media for suggestions of books written for adults that pass the test. She made a list. There are only 52 books on the list. Check out the list here: <\/span><a href=\"https:\/\/nicolagriffith.com\/fiction-that-passes-the-fries-test\/\"><span style=\"font-weight: 400;\">https:\/\/nicolagriffith.com\/fiction-that-passes-the-fries-test\/<\/span><\/a><span style=\"font-weight: 400;\"> \u00a0#CripLit<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Q6 Why do you think so few novels pass the Fries Test? Do you think it&#8217;s harder to write and\/or publish #CripLit fiction or nonfiction?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Q7 Do you see parallels between #CripLit narratives and those of other marginalised groups: queer, POC, working class, etc?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Q8 Do you have any advice for writers wanting to tell #CripLit stories?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Q9 Where should we look to discover new #CripLit fiction? How can we help each other write and publish more?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thank you for joining our\u00a0#CripLit chat. Please continue the conversation! A Wakelet will be up tomorrow. Check the #CripLit hashtag. Feel free to contact @DisVisibility @nicolaz with any ideas\/feedback \ud83d\ude00<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; You are invited to the eleventh #CripLit chat co-hosted by novelist Nicola Griffith and Alice Wong of the Disability Visibility Project\u00ae. For this Twitter chat we are delighted to &hellip; <a href=\"https:\/\/disabilityvisibilityproject.com\/2018\/05\/07\/5-19-criplit-twitter-chat-new-fiction\/\" class=\"read-more\">Continue Reading <span class=\"screen-reader-text\">5\/19 #CripLit Twitter Chat: New Fiction<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":285906,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[548705971],"tags":[101979381,587152444,106167760,1747,3330,16761,349],"class_list":["post-285903","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dvp-news-and-events","tag-disabled-characters","tag-disabled-protagonists","tag-disabled-writers","tag-fiction","tag-publishing","tag-writers","tag-writing","post-has-thumbnail"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/disabilityvisibilityproject.com\/wp-content\/uploads\/2018\/05\/CripLit-52F19-1.png?fit=440%2C220&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4H7t1-1cnl","jetpack_likes_enabled":true,"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/posts\/285903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/comments?post=285903"}],"version-history":[{"count":0,"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/posts\/285903\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/media\/285906"}],"wp:attachment":[{"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/media?parent=285903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/categories?post=285903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/disabilityvisibilityproject.com\/wp-json\/wp\/v2\/tags?post=285903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}